Movie review

All's Fair In Love and Crime: Get Lucky

Thieves who steal from thieves. Love and romance - of a fashion - amongst the gritty London underworld. Car chases, boat chases, beat-ups, close calls and shodowns in abandoned lots. They're familiar calling cards but in this plucky, if somewhat demanding little thriller, they don't lose much for all their familiarity.

Lucky is a small time criminal and he's happy just getting by until he agrees to look after some counterfeit money for a friend who is in a bit of trouble with the law Two months go by without a word from him so Lucky burns the 'funny money' to avoid problems for himself. The resulting fire means a trip to the emergency room where he meets Bridget and his charm has her agreeing to go out with him. Their date goes well until the end when two hoods bundle him into the back of their car. It appea
rs that they had bought the 'funny money' from Lucky's friend and they want it back - all £150,000 or Lucky will end up like his friend. Lucky needs to score big so he teams up with an old mate who is planning a big casino heist with a couple of other gangsters who's day job is collecting protection money for 'Mr Big'. The are looking to earn a bit of money 'on the side'. The heist goes almost according to plan but with one small problem - there's minimal cash and the rest is in bonds. It all starts to go wrong immediately. A prostitute who they have hired steals the bonds and the getaway car is stolen. Worse is yet to come. The two gangsters have not done their homework and they've actually just robbed 'Mr Big's casino. Their only chance to avoid their boss's severe retribution is to get the stuff back.

Director Sacha Bennett works the script (by the accomplished TJ Ramini and Walter Taylaur) with appreciable gusto, and whilst the acting is decidedly uneven, diminutive lead Luke Treadway as Lucky and a several of the "bit players" stand out in their respective spaces in the plot.

If you're not that used to the dialogue, this film may take a second screening to get used to but, its worth it if you like fast-paced action, spiced with a little sex (including a humourous incident involving a prostitute and one of the robbers).

In other words, its the perfect candidate for Testosterone Theatre. Sit back and dig in.

Movie Review

This Is NOT A Dancehall Movie

One of the interesting and thought provoking entrants to this year's Reggae Film Festival set for August 1-5 at the Island Village in Ocho Rios, Jamaica is LOSING PARADISE & MUSIC, documentary film directed and produced by the multi-talented Jamaican-born singer, stage and screen actress, Claudja Barry.

Barry, who is greatly anticipation the showing of her documentary at the festival, says she'll also looking forward to joining the likes of leading female dub poetess, Cherry Natural and Reggae/Dancehall aficionado, Dr. Carolyn Cooper, in panel discussion of her creation, "Losing Paradise & Music".

According to Barry, "Losing Paradise & Music documents the negative impact Reggae/Dancehall music is having on society. However, Barry is of the view the language of Dancehall and the attitude of its performers send a negative voice to Jamaican youth and to the rest of the world.

Many of the persons appearing in the documentary echo a similar sentiment, and do feel Jamaica has become a culture of violence and that sending this message through its music, doesn’t help.

Barry, who is greatly anticipation the showing of her documentary at the festival, says she'll also looking forward to joining the likes of leading female dub poetess, Cherry Natural and Reggae/Dancehall aficionado, Dr. Carolyn Cooper, in panel discussion of her creation, "Losing Paradise & Music".

According to Barry, "Losing Paradise & Music documents the negative impact Reggae/Dancehall music is having on society. However, Barry is of the view the language of Dancehall and the attitude of its performers send a negative voice to Jamaican youth and to the rest of the world.

Many of the persons appearing in the documentary echo a similar sentiment, and do feel Jamaica has become a culture of violence and that sending this message through its music, doesn’t help.

Barry, who set out to hear the views of a wide group of Jamaicans on why Dancehall music has taken on such a dark image, admitted the documentary was a result of a personal quest to know if there were any redeeming qualities about Dancehall, which has taken on some sort of mystic persona by become the dominant sound emanating out of bowels of the Jamaica people over the past 20 odd years.

"I wanted to find out if Bob Marley's message of love, respect and caring were prominent in the music of today, which is dancehall, and if the current artistes are holding up the standards set by Marley and those of his era," says Barry, who interviewed psychologists, family life specialists, doctors and musicians for the project.

Losing Paradise & Music, which curiously zoomed in on dancehall's dark side, debuted on OMNI 1 TV in Canada earlier this year (February 17). And having chosen to look on the darker side of the music, one can't help but wanting to know whether Barry was about censorship.

"As an artiste, I don't believe in censoring others' creative output, but where I draw the line is when society fails to realize that without exposure to other forms of music, some people limit themselves emotionally, which will limit how the whole person develops," says Barry, a Jamaica who grew up in Canada.

According to Barry, she understands there are a generation of listeners who have heard only dancehall reggae and obviously enjoy that form of music.

I'm in no way trying to change anyone's preference, but, there should be music appreciation in schools, so that from an early age all children would have knowledge of all types of music," says Barry, who studied acting at the world-famous Lee Strasberg Theatre and Film Institute in New York City, then studied voice in Berlin and Vienna. She has also recorded several albums and appeared in the 1985 movie, Rappin', and was inducted into the Canadian Black Music Hall of Fame in 2003.